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(Auto)biografía de un fracaso: el pintor-funcionario Adolfo Moreno Sanjuán a través de sus memorias

Publicado en:Anales Del Instituto De Investigaciones Estéticas. (119): 105 - 139 - 2021-01-01 (119), DOI:

Autores: Pablo Allepuz García

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Resumen

Adolfo Moreno Sanjuán (1888-1965) completed his education at the Escuela Especial de Pintura, Escultura y Grabado in Madrid, but soon after his graduation he accepted an administrative post in the Minis-try of Economic Development. From then on his creative work was limited to a few admissions in National Exhibitions, the insufficient consolation of the Salones de Otoño and occasional participation in lesser events. The article presents a collation of his unpublished memoirs with diverse sources in archives and periodicals. This ena-bles us, on the one hand, to reconstruct his long artistic career and to complete the image we have of the artistic establishment of the period, since it offers a perspective frequently buried beneath the hegemonic accounts. On the other hand, within the specific context of the artist’s autobiography, a discourse analysis of the material provided by his text helps us to problematize this kind of “ego-document” and to propose a countermodel of both historiographic and identity representation.

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